Atlantis: The Lost Empire Much Abu About Nothing Disney comedy podcast

Please excuse the grammatical errors, any other errors you come across, and the general sloppiness of this transcription of Much Abu About Nothing's podcast episode on Atlantis: The Lost Empire! Our episodes are transcribed by a robot and roughly edited by Misha (which takes a long time).

Tyler  00:00

content warning. Although this is a podcast about kids movies, this podcast isn't for kids and may contain content some people find offensive.

 

Misha  00:21

Welcome to Much Abu About Nothing a podcast where we discuss and rate animated Disney films going in alphabetical order following a rigorous and scientific scoring system based on absolutely nothing. I'm your host Misha,

 

Tyler  00:36

and I'm your other host Tyler and gang. We it's been a long time well, not since these are being released. But since we've recorded and I missed you, Misha, and I missed all the I missed the fun, silliness.

 

Misha  00:47

I missed you too, Tyler.

 

Tyler  00:48

Life finds a way to get in in the middle of things and mess with things but we're back gang and we're ready to talk about Disney's take on Dances with Wolves.

 

Misha  00:58

And just because can doesn't mean we should but here we are doing it Dances with Wolves.

 

Tyler  01:05

Well, we'll get into that.

 

Misha  01:06

Well let's not say doing it like that. We are not ...

 

Tyler  01:09

We're fucking this movie up. This week, we've got Atlantis, the last empire from 2001 I believe it came out.

 

Misha  01:20

Yes. And first. Non musical.

 

Tyler  01:26

Yeah,

 

Misha  01:27

one after that's like cartoon animated after a whole series of musical ones which we'll get into. But this was like I didn't even actually know this was a Disney movie.

 

Tyler  01:39

Yeah. Yeah, exactly. I think like, I don't even remember when I first saw it. I don't think I ever saw the whole thing when I was younger. But But yeah, it definitely has a vibe of like the DreamWorks movies that were coming around. I'm like Road to El Dorado. It's the animation. or

 

Misha  01:58

Yes,

 

Tyler  01:59

Don Bluth-y like from like Anastasia Don Bluth and adulti looking. Yeah, Disney look to it.

 

Misha  02:06

Yeah. Anyway,

 

Tyler  02:08

that music thing we can Yeah, we can get into it. That music thing was intentional. I read.

 

Misha  02:13

Yeah, I did too. So Tyler, do you want to tell our listeners about just quickly run through our ranking and scoring system?

 

Tyler  02:23

Sure. Yeah, for those who are maybe new to the program, we've got different categories that we rate these movies on. originality, story, animation, music and sound, protagonist, sidekick villain, henchmen, If there are any, and then we have strong female lead category, bipoc representation slash portrayal, fun factor and then we have like negative points possibly for like it doesn't sit right or positive points for effervescence, that sort of Disney magic quality giving it a total score of...

 

Misha  02:57

So those are like bonus and like bonus points and like negative opposite of bonus for a possible total score of 110 points.

 

Tyler  03:11

So we'll see if Atlantis can break into the top tier. I don't want to make any predictions because we'll get into it but I think Atlantis will not score super highly but we'll see.

 

Misha  03:23

I agree. Do you want me to give the synopsis of the movie?

 

Tyler  03:27

Yeah, I think I think I think the gang the the Goof Troop, whatever they call themselves are craving the old Misha summary so go for it.

 

Misha  03:36

Okay, okay, here we go. Because I watched it twice in the last week. And this is what you get. So Atlantis, which is real according to Plato, and it's based This is based on a true story as we all know.

 

Tyler  03:53

Already off to... Plato did not say it was real, but...

 

Misha  03:58

okay, Atlantis there was a blue okay, why there was a big tidal wave and then aliens are so you make it it makes it look like aliens have something to do with it. They go under the water. There's a bubble. Like most of Atlanteans die because they don't allow them to join the bubble. The Queen gets sucked up by aliens. Then they're underwater eighty- 800 years ago ish. Fast forward to 1914 you have a boy okay, this boiler room worker slash aspiring adventurer not something linguist errrr.... linguists

 

Tyler  04:49

He - he is a linguist. He works for the museum. He just got the shit jobs.

 

Misha  04:54

Like yeah, he's trying to find Atlantis. He doesn't get his grant funding From I'm guessing the Smithsonian because it's in DC.

 

Tyler  05:03

Could be.

 

Misha  05:04

So he quits then this wealthy guy who knew his grandfather. Okay. Milo is The Linguist.

 

Tyler  05:14

Yep.

 

Misha  05:15

His grandfather was an explorer. Yeah. With a pith helmet,

 

Tyler  05:20

Pith helmet and everything.

 

Misha  05:21

We all know what that means. And then he gets funded by this mysterious Yogi who's white Who's rich? And to go to Atlantis with a crew of people who have been on a crew before who found the book.

 

Tyler  05:42

Yep.

 

Misha  05:42

Or something. From Atlantis.

 

Tyler  05:44

Yeah. And they found the book in Iceland, which the main character correctly deduced. And I think they were

 

Misha  05:50

Well, because they were working with the grandfather. And he told him I think they knew the grandfather.

 

Misha  05:50

Which is so dumb. He could have just found that out from these jamokes. How did they know it was in Iceland?

 

Tyler  05:58

Okay. When did the grandfather die? There's only pictures of him as a child?

 

Tyler  06:07

Yeah.

 

Misha  06:07

Okay.

 

Tyler  06:08

They always talk about like, throughout the movie. They're like your grandfather was a good man. I knew him and things like that.

 

Misha  06:13

But like I thought, right. I don't understand that. Okay. There's a lot I don't understand.

 

Tyler  06:18

So, definitely huge plotholes in this movie, by the way, in this movie, right.

 

Misha  06:21

So now I'm gonna fast forward through. They go through underground underwater into Atlantis. Okay, they go through wherever.

 

Tyler  06:31

Yeah,

 

Misha  06:32

which I don't even know how they do that. So they find their way into Atlantis. Then at Atlantis. There's, there are people which they weren't expecting. They thought it was just a lost dead civilization. And it would be archaeological ruins but they find living people. The King is dying.

 

Tyler  06:55

Played by Leonard Nimoy.

 

Misha  06:57

Yes. Oh, yesterday. While I was babysitting the nephews. My nephews are three and five. We played The Ballad of Bilbo Baggins by performed by Leonard Nimoy from his album on loop for like an hour.

 

Tyler  07:16

That's a lot.

 

Misha  07:17

It was really fun.

 

Tyler  07:19

Only three feet tall. An hour is a lot.

 

Misha  07:25

Okay. Okay. It was great. Everyone loved it, except my sister who was ready to blow her brains out. Anyway. So okay, Atlantis. There, they are trying to revive their civilization because they're dying, which I don't understand why because it seemed there. She was like, we have to scavenge for food. But then they have this huge feast. That looks totally fine. Yeah, exactly. Like we're dying. But like, everything seems beautiful and fine. They can't read. They're all illiterate. For some reason, they just just stopped reading. And then, even though they're all the same people who are alive for the last 8000 years, which is something that we discover. And then,

 

Tyler  08:08

like the magic wore off somehow, but that translated to losing the ability to read.

 

Misha  08:13

I don't understand. But anyway, so they needed Milo to read to them under this underwater and yet swim over to the text of how to revive their culture, or, and then then,

 

Tyler  08:35

I love that this summary is like tiring you out.

 

Misha  08:39

Then I'm so confused. I just watched it like, right before we were recording and I watched it last week and I still don't get it. Okay, so then they read it they discover that the power is the heart of Atlantis empowers the people and everything even though they have crystals that are powered and they still have power. But then it turns out the whole crew every single character that's not Atlantean and that's not my low is a mercenary who was funded by Whitmore the friend of the grandfather. They're all baddies. Every single one of them is like, yep, we'll kill this civilization because we want to make money off of this power source. They're all awful. Like and who knows they're going to just sell it to any country. Every one is bad and terrible. So they go to get the power source. Then Kida, who's the princess gets moon blinked, like the Owls of Ga'hoole, gets sucked up,

 

Tyler  09:42

Whaaat?

 

Misha  09:43

turns-

 

Tyler  09:46

the Owls of what?

 

Misha  09:48

Ga- Ga'hoole?

 

Tyler  09:49

what is that?

 

Misha  09:51

There's this movie about owls. They get Moon blinked, and they go Moon blinked and then.

 

Tyler  09:57

What is this that you're talking about?

 

Misha  09:59

her eyes. You know when her eyes

 

Tyler  10:02

yeah, yeah.

 

Misha  10:04

Before she turns all blue she gets Moon blinked.

 

Tyler  10:08

Owls of Ga'hoole, never heard of this before,

 

Misha  10:12

you should watch Owls of Ga'hoole.

 

Tyler  10:14

Legend of the Guardians, the Owls of Ga'hoole, a 2010 movie. I've never heard of this movie.

 

Misha  10:20

So there's this thing that happens where they get Moon blinked.

 

Misha  10:25

Wow,

 

Misha  10:26

they just- so she gets Moon blinked, like the Owls of Ga'Hoole and get sucked up turns blue like a ghost. And they capture her because it's the most powerful power in all of Earth, except for steel and bolts. lug nuts holding her holding this the most powerful power so all you need to do is have a case made of metal.

 

Tyler  10:56

It was also unclear to me why she just like walked into the cage.

 

Misha  11:00

I think like that, because that's when she was Moon blanked. Oh, when she when they caught her.

 

Tyler  11:08

Yeah, she just like she became she became the blue creature. And then she just like walked past them. And then like the next scene is they put her in the It's like she just placidly...

 

Misha  11:10

Right? Oh, and glass. Yeah. So glass because there's a glass window why they need that? I don't know. So there's a glass window. Also more glass is more powerful than the most powerful power. So they capture her. And then the city is in danger. And then they're gonna kill everybody except the crew except the villain who's the lieutenant and his lieutenant Hench woman,

 

Tyler  11:47

Helga,

 

Misha  11:48

Helga. Um, everyone's like, well, we like Milo Okay, now, so I guess we won't murder everybody. Even though Okay, so then

 

Tyler  12:02

we're horrible people, but we've never like the Italian dudes like never, like hurt anyone before at least not. Not anyone I knew.

 

Misha  12:09

We know. Yeah, that's like, okay, they are so like Milo guilts them into not murdering him and Kida and who knows 1000s of other people. So they stay behind? Because they get stuck there. Because then the lieutenant and Helga or whoever, go and steal Kida ghost Kida. Then they stop them. And they return Kida back to the city and then everything's fine. Yeah, the end.

 

Tyler  12:43

And then Milo stays behind because he and Kida are boning. And the others leave to go back and they meet Mr. Whitmore. Again. The benefactor-

 

Misha  12:53

Yeah, and they're all rich but I don't know off of what

 

Tyler  12:56

because because when they were leaving, they took a bunch of gold with them. Like

 

Misha  13:00

Oh fuck, what?

 

Tyler  13:02

And the Atlanteans were like cool that.

 

Misha  13:05

So yeah, so and Mr. Whitmore just was like doo doo doo. Everything's fine. Even though I hired and funded a mercenary expedition to kill off a civilization and then Milo's like thanks for being my friend.

 

Tyler  13:20

Yeah, it's a little unclear. It's I mean, it seems to me that the movie wants us to think that Mr. Whitmore is not a bad guy that he

 

Misha  13:27

but he is

 

Tyler  13:28

he was fulfilling a

 

Misha  13:29

financing a mercenary trip,

 

Tyler  13:32

but it's unclear whether I mean it. As far as what the movie says he is doing it to fulfill a promise to Milo's grandfather. He's not

 

Misha  13:40

Yeah, he's double crossing the grandfather.

 

Tyler  13:42

But is Whitmore doing that or is it Rourke the the main bad guy? I think it's Rourke that's like doing that. I don't think Whitmore was in on that.

 

Misha  13:52

How would every single one of those characters be in on it who was part of the Iceland expedition?

 

Tyler  14:00

Yeah, it's just like because of the it is unclear. But tonally. It makes it seem like Whitmore

 

Misha  14:06

I know. But I disagree with tone.

 

Tyler  14:09

Yeah.

 

Misha  14:09

So listeners. I hope you totally understand this movie now. Oh, okay. So how did Atlantis- Okay, there's more How did Atlantis fall under water? Okay, I'll do a really good job of explaining this.

 

Tyler  14:23

Go for it.

 

Misha  14:26

the, the blue power, it was the spirits of the ancestors came together to form a blue crystal, which is their power now of Atlantis. Then it got so powerful because there are so many dead ancestors that they became conscious. What's word? sentient,

 

Tyler  14:51

sentient,

 

Misha  14:51

conscious? sentient. Okay. Then the king was like, Oh, this is so powerful. I'm gonna go to war. But the ancestors were like, No, you're not. So we're putting you underwater. But we have to have a chosen one. I don't know why.

 

Tyler  15:09

To protect that people. Yeah,

 

Misha  15:12

suck up the queen. But the Queen is Dead forever. I don't know why because Kida was returned.

 

Tyler  15:20

But the dad did say like, if you don't get her back, she's going to be lost forever.

 

Misha  15:24

Why?

 

Tyler  15:25

Because it because... because of the crystal magic. I don't know. It's

 

Misha  15:30

Why couoldn't the mom come back?

 

Tyler  15:33

because nobody went to go get her. I don't know.

 

Misha  15:37

Why does Kida come back? Kida came back with the bracelet that her mother took when she just come back with her mother.

 

Tyler  15:44

I don't know.

 

Misha  15:46

What's the statute of limitation on being blue?

 

Tyler  15:51

I guess a little over 8000 years, I suppose. Yeah, it's a bit. Yeah. Like we'll Yeah, like let's just let's jump into the story. Right. Now we can come back to reality. The story is, rip, Roarin fun, but it doesn't make a lot of sense. In many places. It's

 

Misha  16:09

They added so many little things that I just was like, Okay, this is what it could have been. They're looking for Atlantis, they get double crossed by somebody who's doesn't care about the civilization and wants to steal their power. It could have just been magic power. Right. And that's it. But I don't understand. They like, tried to create a reason why Atlantis would have been submerged.

 

Tyler  16:33

Yeah.

 

Misha  16:35

But it was way too complicated. So that turned into like, half of the movie that no one understands.

 

Tyler  16:42

Yeah, it's a really vague like hubris mixed with, like maybe bad decisions mixed with magic ancestors. And magic crystal being angry. And yeah, it's all a mess. Plato, I mean, Plato's version, which was fictional, and he made it up. That's my opinion on Atlantis, by the way, everyone, hot take! Was that the Atlantean-

 

Misha  17:08

What's that place in the Bahamas? Isn't that just like, they found Atlantis and then brought it to the surface? Because now you can go water sliding past sharks. That's like,

 

Tyler  17:17

is that like a Club Med type place?

 

Misha  17:19

Yeah, I think so. I've never been.

 

Tyler  17:25

Yeah, the Atlanteans were like a naval force that attacked the... It was like another one of his dumb allegories, but it was like they were attacking the like Athens utopia and Athens and something. I forget all the details. But basically, they were stupid. And the Gods got angry at them. Basically, that they were like an attacking force attacking Athens. And they were they were dumb because they didn't follow the philosopher king model or whatever. That's all I remember. And that's probably

 

Misha  17:55

They were punished.

 

Tyler  17:56

They were punished by the gods. Yeah. So it was not like this.

 

Misha  18:00

That's kind of similar.

 

Tyler  18:02

Yeah, there's a little bit of that. Yes. Yeah.

 

Misha  18:05

Like the ancestors are the gods. And they were punished because Leonard Nimoy wanted to go to war.

 

Tyler  18:12

Yeah.

 

Misha  18:13

I guess I just don't understand the power source thing.

 

Tyler  18:16

It's like

 

Misha  18:16

it's almo-.

 

Tyler  18:17

Yeah, it's just this heart of Atlantis. It's I guess the magic of the ancestors always there. But it's a bit unclear.

 

Misha  18:23

But why would anybody be chosen like? Well, they didn't have to steal Kida. She didn't have to turn blue and get moon blinked at all.

 

Tyler  18:32

Yeah, I mean, she just did. It seems like the magic took over. And she didn't really have a choice in the matter. But it's still Yeah, it's a bit it's a bit unclear. Yeah. So other than the very often, like, unclear moments and plot holes, where things just happen. What did you think of the story?

 

Misha  18:54

So I actually I don't know if it's because I love the idea of like this lost city of Atlantis, like before this movie, I just think that's like a really charming thing to think of. Right? Like, and I like the idea of the city being underwater. And then people living down they're evolving into which I was kind of disappointed by this. I want them to be more water creatures, right? Like, because they're underwater, kind of why did they have atmosphere with clouds and stuff? In this movie?

 

Tyler  19:28

Because magic.

 

Misha  19:30

Oh, and what were all those animals?

 

Tyler  19:33

Dinosaurs For some reason, even though they there was some straight up dinosaurs. There was some dinosaurs and then there's like this weird Panther with like six eyes like a weird like spider Panther.

 

Misha  19:45

Yeah, I just okay, like animals don't evolve in 8000 years to be totally different.

 

Tyler  19:51

Yeah, this is according to the timeline of this movie, which isn't the same as Plato's. But according to this timeline, They would have sunk when like the Neolithic Revolution was happening when like agriculture started we started domesticating pigs and stuff. So there were no no no fucking dinosaurs and no six eyed Panthers roaming around.

 

Misha  20:13

That's what I'm saying

 

Tyler  20:14

as far as I know. Yeah, it's a bit. I mean, just just magic. I mean, but this is one. This is one frustrating thing about like, a lot of movies that bring magic into it. And like a lot of fantasy authors like Brandon Sanderson, for example,

 

Misha  20:27

There are no rules.

 

Tyler  20:28

Yeah, I get really pissed when they're like, no rules, and then like, anything can happen.

 

Misha  20:33

Yeah.

 

Tyler  20:34

So it kind of Yeah, it kind of cheapens it like if you don't know what magic can do and what the capabilities are, and what the weaknesses are, then,

 

Misha  20:41

yes.

 

Tyler  20:42

It's always going to be

 

Misha  20:43

like, there weakness is, steel and glass.

 

Tyler  20:46

Yeah.

 

Misha  20:47

And guns?

 

Tyler  20:48

but it just turns out to be like, yeah, guns. Yeah. But the guns paying off those flying machines and don't really wreck any of them. I didn't see any crashes of those flying machines, like Atlantis has way superior technology, but it's all like this really nebulous magic, and it just ends up being like a like, I was about to say, like a deus ex machina, like, things are solved because magic and I don't know, it's a little it deflates what the story could have been.

 

Tyler  21:17

I also, I mean, on the one hand, I found the story entertaining, but also just a bit the I mean, I do appreciate the sort of anti imperialism anti capitalism message of it. That's was

 

Misha  21:31

I disagree that it had that message because at the end, they're like, Woohoo, rich wearing their furs and jewels and like, and it's just sort of like Okay, so these assholes who were mercenaries still got rich in the end. And they won.

 

Tyler  21:49

For me, I got I got they were bad people. And but yeah, that's capitalism. Capitalism wins. Unfortunately, it's bad, but it wins.

 

Misha  21:57

I would say it celebrated them winning at the end.

 

Tyler  22:01

Yeah, I do think there was a little too much of that. But for most of it, it's like, this is like a clear. The good guys are the indigenous peoples and the bad guys are the colonizers, like,

 

Misha  22:11

Yeah, but they were like our city. Our civilization is being destroyed. We have to scavenge for food, and then they win like it's restored. And what do they get at the end? A Metropolis. Yeah, like who the fuck wants? Like, why would that be their goal?

 

Tyler  22:30

Well, that's reportedly what they had before except without the protective bubble around them.

 

Misha  22:36

Oh, made by giant robots - that clap?

 

Tyler  22:40

Yeah. Okay, that's your problem with the movie, because that was like one of the best parts the clapping robots.

 

Misha  22:46

Why- why just have a bubble?

 

Tyler  22:49

Yeah. I think that's a huge problem like this. It's not a new thing. It's not like an Atlantis problem.

 

Misha  22:56

I was so disappointed just like, Oh, great. They have a city with flying cars.

 

Tyler  23:02

Yeah,

 

Misha  23:03

that's what they wanted this whole time, instead of like a paradise that they had before.

 

Tyler  23:08

But their paradise before was flying cars and stuff. It's like they were already futuristic

 

Misha  23:12

That's not paradise, okay,

 

Tyler  23:14

maybe it is for them

 

Misha  23:15

Describe paradise you'd say like fruit trees and plants and like everyone's outside bathing in the sun naked. And like, that's paradise like water and swimming.

 

Tyler  23:26

Maybe that's not what they think paradise is

 

Misha  23:29

just the Industrial Revolution, having flying cars and everybody using technology to be where we are today. And Snapchat!

 

Tyler  23:38

Well their technology is based on their magic, and it's not based on pollutants. But I also think there's a bigger problem here with with stories like this, it's like, and there's not an easy fix. It's like the quote unquote, noble savage, like metaphor, right? That these people are like, noble and traditional and set in their ways. And like don't like have, like three dimensional personalities where they can choose their fates, right. It's like they go back to what they traditionally do. Or they change and like marry a white guy. And it's like,

 

Misha  24:15

right, this is a like a white savior thing. Like, we can't read our own language. So this white guy has to come and help us.

 

Tyler  24:22

Yeah, so I don't have a problem with them being like, Yo, straight up. We've got sweet technology. Let's let's stick with that. Because we own that and we've made it. that's fine with me. The problem I have is like, yeah, we can't do this. We can't read we can't grow things.

 

Misha  24:35

But what they did with it. But what they did with with that cool technology was just have flying cars. come up with something more interesting

 

Tyler  24:44

Flying cars are pretty sweet though,

 

Misha  24:46

Why? They're in one city just fully zipping back and forth.

 

Tyler  24:50

Look, I live in a city of like-

 

Misha  24:51

There's a ton of them.

 

Tyler  24:53

I live in Istanbul, which like New York is massive. I would love a fucking flying car that - a flying care that's shaped like a hammerhead Shark.

 

Misha  25:00

Okay,

 

Tyler  25:01

pretty awesome

 

Misha  25:02

if they were like hammerhead sharks.

 

Tyler  25:03

there was one yeah

 

Misha  25:04

they were.

 

Tyler  25:05

Yeah

 

Misha  25:05

Did you see the narwhal ship that they got to in the end?

 

Tyler  25:10

yeah

 

Misha  25:12

"Hi, I'm a narwhal!"

 

Tyler  25:14

there was I liked the I liked that Italian dude is like "could I have the sporty one the tuna?" I thought that was funny yeah I don't know

 

Misha  25:23

He called it a fish! so insulting I guess not insulting

 

Tyler  25:28

Because they all shapes like at the very end when it's when the cameras panning out and like one of the ships flies flies past and like the credits roll it was as far as I remember it looked like a hammerhead sharks it had like a hammer

 

Misha  25:40

All right.

 

Tyler  25:41

Anyway that's why I said in the beginning this is Disney's Dances with Wolves because it's like that noble

 

Misha  25:49

yeah

 

Tyler  25:50

native peoples and like they can't they're in stasis until a white guy with good intentions comes in and like learns from them. And then so that's super problematic, obviously. I did like that this isn't really story, I suppose. But I did like that they made the Atlanteans kind of like this almost like not Polynesian but almost like a like because the Atlanteans were like, Greeks basically, you know,

 

Misha  26:14

yeah.

 

Tyler  26:16

But they made made them like interesting sort of mishmash. Like the architecture was like part like Mayan and part like, Tibetan.

 

Misha  26:23

yeah, I liked it. I actually liked the design of the things and the like. Like the visuals I liked a lot.

 

Tyler  26:34

Yeah, yeah. So, okay, let's come, let's maybe decide on the story. And then we can move on to

 

Misha  26:40

all right.

 

Tyler  26:41

To other things. story, I think. I mean, yeah. The story I don't think is very good. I think it's pretty, pretty basic, pretty overdone. And there are glimmers of like interesting moments, but that isn't because of a story, I think.

 

Misha  26:59

Right. So don't think it's the story that moves it. So

 

Tyler  27:06

we gave alice in wonderland of five for story.

 

Misha  27:09

I think this is lower.

 

Tyler  27:11

I think this is lower too. Even though Alice in Wonderland doesn't quite have much of a story. But this one this one's worse. Yeah.

 

Misha  27:18

She's learning. She falls asleep. She has a dream. She wakes up.

 

Tyler  27:21

Yeah.

 

Misha  27:24

I think I mean, I think people would appreciate hearing me explain Alice in Wonderland rather than this again.

 

Tyler  27:31

Yeah. So like the the you you were like, this is easy. I love it. This time with Atlantis. There was pain in your face as you were explaining it. So that's

 

Misha  27:39

There was a pain in my chest as I was explaining it.

 

Tyler  27:42

Giving you like, yeah, heart, heart murmurs. Whatever I gave it,

 

Tyler  27:47

I'm still sweating from that.

 

Tyler  27:48

Yeah, I gave it a three.

 

Misha  27:50

Me too Tyler.

 

Tyler  27:52

Really?

 

Misha  27:53

Yeah.

 

Tyler  27:55

Nice.

 

Misha  27:56

I don't have to like strong arm you into changing your score.

 

Tyler  28:01

Let's jump back to original-. I mean, we don't need to go in order all the time. Anyway. But let's come back to originality. Obviously, Atlantis, this has been around since Plato. And it hasn't been done many times. It's in like the literary popular imagination. But like, this story hasn't been done much.

 

Misha  28:21

Yeah, I agree. I liked it. I mean, I liked that they did this. And I was excited to see it because we've heard about Atlantis, the lost city of Atlantis. And I like the original idea of it. And it was, it was fun enough.

 

Tyler  28:41

Yeah.

 

Misha  28:41

to kind of see what someone would do with it.

 

Tyler  28:45

Yeah. And I liked-

 

Misha  28:46

It hasn't really been done before.

 

Tyler  28:49

Yeah,

 

Misha  28:49

in a movie.

 

Tyler  28:50

I don't think so. I mean, yeah, there have been there's a lot of like, references and stories about Atlantis, but nothing quite like this.

 

Misha  28:58

Right.

 

Tyler  28:58

Unfortunately, the story ended up being sort of cookie cutter, but the originality should be Yeah, I don't know. Like, I guess it shouldn't be super low. It shouldn't be as low as like, Alice in Wonderland or A Christmas Carol.

 

Tyler  29:10

Right.

 

Tyler  29:12

So I don't know. Should we give it should we give it points for like an original take on an old tail?

 

Misha  29:17

Yeah, I would say a four?

 

Tyler  29:22

five,

 

Misha  29:22

five? a five. Let's go with five.

 

Tyler  29:25

Okay, this one I hadn't put his score down like my own score, because I was just,

 

Misha  29:29

Neither had I.

 

Tyler  29:30

I was on the fence. Yeah,

 

Misha  29:32

yeah.

 

Tyler  29:33

I liked also how they brought in, like, sort of Jules Verne esque sort of steampunky like adventure.

 

Misha  29:43

So that was fun with the animation. Yeah, I actually want to mention a couple things about the story again, if I can.

 

Tyler  29:49

Yeah.

 

Misha  29:51

So a lot of people died in this movie. Like,

 

Tyler  29:54

Oh, yeah.

 

Misha  29:56

Right off the bat. So like, what? 1000s of Atlanteans dead.

 

Tyler  30:00

Yep,

 

Misha  30:00

that's how it opens. Then they're going to Atlantis in 1914 a couple 100 People die.

 

Tyler  30:07

Yep.

 

Misha  30:08

Just dead bye! okay. And then we're just left with the main cast like

 

Tyler  30:14

but then suddenly when when Rourke when commander Rourke is gonna take over there are suddenly all these like

 

Misha  30:19

A whole bunch of other people with gas masks on.

 

Tyler  30:22

Yeah, yeah.

 

Misha  30:22

Where'd they come from?

 

Tyler  30:25

Yeah, this. I was reading on Wikipedia.

 

Misha  30:28

Magic.

 

Tyler  30:28

Yeah, magic, magic capitalist magic. I was reading on Wikipedia that in the production, the development team were T shirts that said, "Atlantis: less music more explosions" or something like that. That was there. Like I said before, earlier in this episode from the beginning, they're like, we're gonna make like,

 

Misha  30:45

Who is this, Michael Bay? Jesus.

 

Tyler  30:47

Yeah, so they were like we're gonna make we don't want to get stuck in like a Disney rut where it's like a formula. We're gonna make something different. AKA, we're going to sort of look at what our competitors are doing and doing successfully and see if we

 

Misha  31:00

And make a flap

 

Tyler  31:02

and make a flop. Well, to be fair, Don Bluth came out with Titan AE right before this. And that was a huge flop. So it's not just Disney's fault. But

 

Misha  31:10

yeah, why would they be like, Oh, that flopped. We can too?

 

Tyler  31:15

Well, I don't know if they actually were. That was me inferring that they were looking at their competitors. But they were like, Okay, we're not going to do any. It's not going to be a musical. And, and it was the first PG Disney movie since Black Cauldron.

 

Misha  31:30

As opposed to G?

 

Tyler  31:32

as opposed to G, Yeah. But it's not that PG. a bunch of people fuckin' die though.

 

Misha  31:36

A ton of people died. It's PG.

 

Tyler  31:38

Yeah. Although I hate the rating system anyway, it's,

 

Misha  31:42

I do too. It doesn't make any sense. Like, okay, you could have the nicest thing and you say fuck, and then it makes it something else. Like,

 

Tyler  31:49

yeah,

 

Misha  31:50

whatever.

 

Tyler  31:50

But also like, what if all those people die? Like, and like,

 

Misha  31:55

oh, yeah, but if you don't have blood...

 

Tyler  31:56

but if there's one boob then it's

 

Misha  31:58

Oh, yeah, you can have unlimited death and murder.

 

Tyler  32:02

Yeah,

 

Misha  32:02

But a single boob. But you can have naked men. Aladdin. Did we see any Aladdin nips?

 

Tyler  32:09

No. Rem- you made fun of me? Because there are no- Aladdin doesn't have nipples.

 

Misha  32:13

Oh Yeah! cuz then it wouldn't be PG. Right? No nips. No boobs.

 

Tyler  32:19

No nips. I think Hercules had some nips. But anyway. That's off topic.

 

Misha  32:27

Okay, so but I just also want to say so all it took to find the magic power was to stand in a particular place.

 

Tyler  32:37

Yep.

 

Misha  32:38

No one for over 8000 years. Just stood in that water fountain.

 

Tyler  32:45

But didn't but correct me if I'm wrong, I might be misremembering even though I just watched this twice in a week as well. Didn't the king say that he didn't want his daughter to turn out like- he didn't want them to find that

 

Misha  32:57

Yeah, but he didn't tell them where he hid it so what if there's just kids running around being like "WEEE water!" and then like stepped in it and they were like, where am I going?

 

Tyler  33:06

Well that's why they're

 

Misha  33:07

This is an elevator.

 

Tyler  33:08

that's why there's so few children because they have to murder those children as soon as that happens and get rid of them any mistake-

 

Tyler  33:08

what about the witnesses?

 

Tyler  33:11

Also killed

 

Misha  33:11

Okay, so Tyler explained it.

 

Tyler  33:12

we already know - Yeah, look, I've got my finger on the pulse of this. We already know the Atlanteans are extremely ruthless. They shut off the rich part of town and let 1000s of people die.

 

Misha  33:30

That's true.

 

Tyler  33:31

So this is not a this is not a good civilization. Kida's fine. But mostly-

 

Misha  33:38

It's like Under the Dome meets the Hunger Games

 

Tyler  33:41

Under the Dome. Are you referring to the wonderful TV show?

 

Misha  33:45

The hit TV show!

 

Tyler  33:46

The hit TV show Under the Dome? Oh my god how have we not talked about Under the Dome? I didn't realize

 

Misha  33:55

I don't know. Because this is our first dome that's been in-

 

Tyler  34:01

I'm not just talkin' podcast, like how have we not ever talked about Under the Dome?

 

Misha  34:05

We have talked about it!

 

Tyler  34:06

Have we?

 

Misha  34:07

when we both watched it like however many years ago. I know you watched it.

 

Tyler  34:12

Okay.

 

Misha  34:12

You watched it more than we did. I at some point it was like I can't do this. I can't do this anymore.

 

Tyler  34:18

My memory-

 

Misha  34:19

like I will well I'm a die hard Under the Dome fan.

 

Tyler  34:22

Oh, yeah. Yeah, I don't think I even finished it but I- if I start something I it's really hard to stop until I finish. So yeah, I watched a bunch of it. Man. I've memory like a fucking garbage heap. I remember like,

 

Misha  34:34

yeah,

 

Tyler  34:34

the most useless shit but then I don't remember the most important things like that we talked about Uunder the Dome. So apologies.

 

Misha  34:48

All right.

 

Tyler  34:48

Anyway, so originality five. Yeah, some of them it gets points for just recapping because we went on a massive tangent. It gets points for like doing the Atlantis tale in a different way. A despite the story being kind of bleh but not high enough to be like, super original like, like a Goofy Movie, for example. Animation. Now, I have a love hate relationship with the animated movie.

 

Misha  35:14

I do too. There's parts of it that I really love. Like we were talking a little bit about the design and symbolism of Atlantis and I really liked it and I liked the steampunky feel of it. If you took all of the Explorer characters out of it. I would have really liked it. That's how I feel.

 

Tyler  35:39

Yeah, but then what would happen? I guess they'd have to reall- the movie it would be totally different. Like because the whole

 

Misha  35:46

No, I just mean like literally just remove them and watch the movie without like,

 

Tyler  35:51

right

 

Misha  35:51

without those cells. Yeah, it's very pretty.

 

Tyler  35:55

So Milo is just talking to other just no one just looking around talking to people.

 

Misha  35:59

Here's not there either. You just hear voices and see like the ships and the steampunk stuff and no characters and things move and Then you get to Atlantis and you can see all the Atlanteans.

 

Tyler  36:10

that may make it better It may make it even more confusing. I'll be honest with you Mish, But

 

Misha  36:15

Audrey the mechanic this is the thing that bothered me the most out of everything even it bothered me even more than the fucking plot of this movie. Why was Audrey drawn like she was in Roger Rabbit or Cool World and not like she was drawn for this movie?

 

Tyler  36:32

It was really weird and I couldn't really make sense of it in the in the credits it says like animation for Milo these people animation for Helga, these people,

 

Misha  36:42

right.

 

Tyler  36:43

So

 

Misha  36:43

which is typical,

 

Tyler  36:44

and I feel like that's you you separate things, but she looked really different. And it like

 

Misha  36:51

It was so off putting.

 

Tyler  36:53

Yeah. And Helga looked really bad. I thought like she she didn't look like she belonged in the movie, like,

 

Misha  37:00

yes. It's just like different characters were - they like

 

Tyler  37:05

Helga's the second bad guy, the lieutenant for those who haven't seen the movie? The femme fatale kind of person.

 

Misha  37:11

Yes. Which I didn't even understand.

 

Tyler  37:15

I mean, it's yeah,

 

Misha  37:16

it was very clunky. It was very clunky. Nobody matched each other.

 

Tyler  37:21

It was weird. Yeah. Like when Roark played by the indomitable voice by James Garner of Rockford Files. Wonderful voice. Like when he was standing next to Helga, there was like a very clear difference in his style and clear and it's like, he was very, like, clear, but Helgen like her face moved in weird weird ways. Like it was have almost like,

 

Misha  37:43

And the cook was totally different.

 

Tyler  37:45

The cook was different.

 

Misha  37:46

Like the gold digg- gold miner. No Cookie is the

 

Tyler  37:51

Cookie's the Prospector, Jim Varney.

 

Misha  37:53

Yeah, Prospector. That's the word I was looking- Jim Varney. Yep.

 

Tyler  37:57

The what's her name Packard, the old lady who smokes. That like,

 

Misha  38:02

Oh the phone operator.

 

Tyler  38:04

Yeah, she looked very different. She looked like almost straight from a Don Don Bluth movie. It was just

 

Misha  38:10

And every- they were all so one dimensional. It's like they just took caricatures from all different things and put them together. And this isn't Who Framed Roger Rabbit or Cool World, which is a great movie, even though no one agrees with me.

 

Tyler  38:30

I don't remember it at all. But

 

Misha  38:32

oh, okay, you need to watch that

 

Tyler  38:34

I should rewatch it because I don't. It's bad if I don't even remember if I liked it or not. That means it deserves a re-watch

 

Misha  38:40

That was a family favorite in my household growing up. And I only learned I think in college that it was not meant for kids. But my parents were like they're cartoons So how bad could it be? And they let us watch it over and over again.

 

Tyler  38:58

That's the one that's got like Brad Pitt in it. And yeah,

 

Misha  39:03

anyway,

 

Tyler  39:04

yeah, but the animation I think this movie, it's not its fault. But it suffers from like over use of digital effects that have not aged well. And like, it's not really the

 

Misha  39:15

They should have just made it standard animation.

 

Tyler  39:18

I think so too. But I see why they did it. Obviously. Like it's understandable but like in hindsight,

 

Misha  39:23

that part didn't bother me as much as the characters.

 

Tyler  39:26

Yeah. couple scenes to highlight that I'd like to highlight the the Firefly scene was really awesome. I thought

 

Misha  39:34

that was cool.

 

Tyler  39:35

When fireflies like light everything on fire. That was really cool looking. I also think like some of the I mean, there's some really beautiful shots obviously like I mean, I think overall the animation

 

Misha  39:47

I wish we got to see more of Atlantis, like panoramic views. Spend more time there. The whole movie to me felt so fast. Like I didn't understand the timeline of their journey to get to Atlantis. I thought it was like four hours. But then I realized when I rewatched it, they were saying things that made it sound like it was made- months long.

 

Tyler  40:11

Yeah, they went through like a snow. Like a snowy place.

 

Misha  40:15

Where was that snow pl- Wait, where was that?

 

Tyler  40:17

I don't know. It's all weird.

 

Misha  40:19

How could it snow underground?

 

Tyler  40:20

Underground. Yeah, I don't know. How was there an atmosphere with clouds like you said before? Yeah, it literally took a while. I was fine with the montage of that. Actually,

 

Misha  40:31

I wasn't because I didn't understand the timeline at all. Like, Milo is reading his book, and they're like "reading it again. You've heard that like, 12 times" and I'm like, How long have they been here?

 

Tyler  40:44

Yeah. Did they ever? Yeah, I don't think they ever say. it's clearly a long time though. You-

 

Misha  40:51

I didn't think so the first time I watch

 

Tyler  40:53

flashback, listeners, flashback to the A Bug's Life episode where Misha said she wanted more montage in the traveling parts of the of the movie. So this time she's flip flopping

 

Misha  41:07

Hey, they're very different movies.

 

Tyler  41:09

They're very different movies.

 

Misha  41:09

I'm allowed to Flip Flop so Fuck you.

 

Tyler  41:15

Another just little quick thing is like, there were some really just wonderful small moments like when Milo gets into the water and his bathing suit, inflates.

 

Misha  41:23

Oh, I like that. That was cute.

 

Misha  41:24

I don't think. Ah, maybe.

 

Tyler  41:24

That was great. That was really good. Because that just happened to me all the time. And then it makes like a fart sound. And there are a lot of cool little things like that, too, that I appreciated. I think Yeah. In hindsight, it could have all been 2D that might have been way more work for them. I don't know. Don't really know what the rigs were like back then. But the it's just weird to me, because I mean, not. Don't I don't know anything about animation, really. But the digital animation stood out more than like it did in A Bug's Life, which was like completely, like digital, as far as I know. So it's weird. Maybe it's because of the mix between digital and 2d. Like animation. That's why it stood out possibly

 

Tyler  41:27

Yeah,

 

Tyler  41:30

I didn't think it was that bad or jarring. The cat was really cute. I like that.

 

Tyler  42:14

It was- the cat in the beginning?

 

Misha  42:16

And at the very end,

 

Tyler  42:18

yeah. Okay.

 

Misha  42:20

Milo's cat. It's a really cute cat. it's a little chunky cat.

 

Tyler  42:24

Little chonk. The very beginning like when there those ships are flying to warn the city of the flood that looks really wonky. I thought really janky but, and it's not the best way to like start a movie because like the flood like the the big tsunami coming in. That looked awesome. But then the scene right after it looked really bizarre and clunky. I don't know. Like, it's like, I think somewhere in the middle because I also had a big problem with the inconsistency of the characters. Like they're all fine by themselves, but like, together, it was a bit of a mess. So I don't know like,

 

Tyler  43:05

You think four?

 

Tyler  43:06

okay, I was gonna say five to be nice, but I'm fine with going to a four.

 

Misha  43:10

I mean, Aladdin only got a six.

 

Tyler  43:14

Yeah. Mostly because I was adamant that I really was not happy with all the problems. We didn't really give it Yeah, it wasn't so much for the CGI, but more for like, the rushed quality of things that weren't the genie like

 

Misha  43:27

yes, yeah.

 

Tyler  43:29

This I don't know. I think it Atlantis- the good. Like when Atlantis hits high it hits really high, though

 

Misha  43:35

It's high. So maybe we should give it a five.

 

Tyler  43:38

Yeah,

 

Misha  43:39

or you think more?

 

Tyler  43:40

I think five is fair. Yeah. Music and sound. Now I really liked that they decided not to make this a musical because I think that would have not been good. And I think that music was

 

Misha  43:52

I think the problem though, was that they introduced a song the first time and only once in the movie, where or that I noticed where they were swimming underwater. And it was like Enya ish. And I kind of liked that. I was like, You know what they should have done? No music, and then they get to Atlantis. And then you're like, transported through sound and music to a different place like ethereal music in this like magical. Like thing- and I think that's what they should have done to make you feel like in all senses that you're in a different place. Not a Musical.

 

Tyler  44:32

I don't know if i - You mean like no score whatsoever until they get to that point.

 

Misha  44:38

Just very different. And they only did that once.

 

Tyler  44:42

Yeah,

 

Misha  44:42

When they were swimming,

 

Tyler  44:43

but the music was pretty different before that, like it was all like sort of like typical sort of

 

Misha  44:48

It was generic

 

Tyler  44:49

generic store.

 

Misha  44:51

But that's what I mean. they kept doing that. Like they didn't really do much more.

 

Tyler  44:55

Yeah, there was this when they first meet When Milo first meets Kida and then like runs after her there's like, classic sort of like tribal. The quote unquote tribal sounding like,

 

Misha  45:09

but that's like, not even what I mean. Like if this place is magical, we should have heard it.

 

Tyler  45:16

Yeah, I agree with that. I think they're they could have done more with this. I think the score was a bit flat. Yeah. Sound in general was good. I thought

 

Misha  45:26

sound I thought was good. The part where Rourke turns blue. I didn't even talk about that. Oh my god. I don't even understand that. There are no rules to this movie.

 

Tyler  45:36

Yeah,

 

Misha  45:36

but when he cuts him with glass, he turns blue. He starts making this weird creepy sound. Did you hear- Did you hear that?

 

Tyler  45:46

like a weird sort of like metallic kind of

 

Misha  45:48

A dinosaur robot? I don't want to do it because people will punch their radios and phones.

 

Tyler  45:54

We'll lose - we'll lose subscribers. It was like it was a- it was the sound of a transformer dying.

 

Misha  46:00

It was awesome. I loved that. I didn't- I didn't understand what was happening. But I loved that sound. And it was like one of my favorite parts of the movie.

 

Tyler  46:08

The score- The sound was good. The score kind of generic. I did like-

 

Misha  46:13

I'd say a 6.

 

Tyler  46:13

the choice to make it like - I was gonna say five

 

Misha  46:15

Not a musical. Well, I think I have less issues with the sound than I did with the animation.

 

Tyler  46:23

Yeah, I'm kind of on the fence.

 

Misha  46:24

Unremarkable unremarkable to me is better than problems. Or you think they're equal?

 

Tyler  46:32

No, you're

 

Misha  46:33

You take the high and the low of animation. And then unremarkable is like you know the flatline between the two.

 

Tyler  46:40

Yeah,

 

Misha  46:40

we both get a five.

 

Tyler  46:42

I would agree that unremarkable is is maybe- I mean, I don't know like, on the one hand I like I like when they take swings and if it does, it's the reason why I like like, really bad movies is like they somebody took a swing and just like didn't work but they like you see the effort-

 

Misha  46:58

The tried! Yeah...

 

Tyler  46:59

Yeah, so that's one reason why I like the animation. It's just like, kind of like- the parts that work really work and then the parts that don't don't work, but they it's clear what they were that they were really putting in effort.

 

Misha  47:11

I mean, A Christmas Carol got a five on music and sound.

 

Tyler  47:15

Yeah. Which I didn't like,

 

Misha  47:17

and I wish I had like, chopped my ears off for and my- I took my eyes out.

 

Tyler  47:22

Yeah. And also another thing with the music is the credit song was really bad.

 

Misha  47:28

Oh, I wrote that too. I was like, I wrote. Wow, this is terrible.

 

Tyler  47:33

Yeah,

 

Misha  47:34

I would give this a five.

 

Tyler  47:36

I think six is too high. I'm fine with a five. I can bargain to five.

 

Misha  47:40

I agree. No, I like five.

 

Tyler  47:41

I've been watching a lot of like YouTube videos of Dragon's Den, which is like the UK Shark Tank. And so I'm really into like negotiation now. So yes, I can't go as high as six. I can't go as high as six. But I shall go to a five.

 

Misha  47:42

Shark Tank And Dragon's Den.

 

Tyler  47:55

protagonist, protagonist protagonist Milo thatch

 

Misha  47:58

I'm just gonna make. I'm gonna make a statement for all characters. For all these upcoming categories. Every single character was one dimensional. I didn't care about any of them.

 

Tyler  48:17

Yeah, that's I think that's totally fair. I have a little bit of a soft spot for Milo because he's like a bookish guy. He's a nerd. He's not. He's not like, he was not an asshole

 

Misha  48:26

He was annoying. He kind of was. he was so arrogant!

 

Tyler  48:31

was he? was he arrogant? He's not arrogant like Flick was.

 

Misha  48:36

okay. Yeah, he was. I actually, like,

 

Tyler  48:39

prove it.

 

Misha  48:40

So they're trying to get the machine flying car started. And he's just, she's like, Yes, I did that and he was. Like, I don't know. He just every time he's like, rubs it in people's faces when he knows how to do something. And I'm just like, Calm the fuck down. Alright, stop mansplaining everything. we get it, you know this stuff. Okay, we get it. You're the smartest person here Calm the fuck down.

 

Tyler  49:04

But everyone was also so shitty to him.

 

Misha  49:08

So that gives him the right to behave that way? You know, you can't control other people's behaviors. He can just not be such an arrogant,

 

Tyler  49:15

but like there was like two instances where he did that one with with was the Audrey the mechanic.

 

Misha  49:23

Two too many.

 

Tyler  49:23

Yeah, to too many. You're right about that.

 

Misha  49:25

And he just never admitted what his faults were when he was like, Yeah, I know how to drive a truck. Fuck you, no you don't like just say you don't know how to drive a truck.

 

Tyler  49:32

Yeah, that's fair. That's fair. Yeah. I think it's just I guess. I tend to sympathize with Milo more than like someone like Flick because I don't. I don't know. Because he's a he's a nerd, basically.

 

Misha  49:46

Yeah, but he wasn't even that good at it.

 

Tyler  49:47

And It's Michael J. Fox.

 

Misha  49:49

I know. I do like Michael J. Fox. I'd rather just have them like, have Michael J. Fox act it out like a live action blend. That's what they should do.  just get rid of everybody. turn it into live action.

 

Tyler  50:04

Yeah, I think as a protagonist, he's he's, he's not as great as- like he doesn't really

 

Misha  50:10

I actually, like Flick more at the end of A Bug's Life

 

Tyler  50:14

Flick- Flick has more growth,

 

Misha  50:15

he does have more growth.

 

Tyler  50:17

I was thinking like,

 

Misha  50:18

He like finds he like finds his courage for, like, why?

 

Tyler  50:23

Because he wants to have sex with this native lady. Basically

 

Misha  50:26

right? That's like not, it's not compelling.

 

Tyler  50:29

It's not a compelling reason. I mean, I

 

Misha  50:31

we should have, we should have seen him more depressed about his life at the beginning. Right? Because it just like so quickly goes from him being angry to getting this paid position to go on this expedition. What we should have seen is before Helga shows up him like, being really sad feeling sorry for himself having low self esteem. And then like, as he's in Atlantis, he realizes that he's not worthless that he grows into like believing in himself. No, we don't fucking get any of that this like arrogant asshole just the whole time is like, "I'm so great. Nobody believes me. I'm so great. I'm so great. Hello, everybody. I'm so great."

 

Tyler  51:12

Yeah, it's a little bit of like,

 

Misha  51:13

I have really strong feelings about this.

 

Tyler  51:15

I think I mentioned this with A Bug's Life, but it's a little bit like the tortured hero like the sort of Ayn Randian hero. That's like, no one understands my genius. Yeah.

 

Misha  51:25

You know, if people are going to pay for you to go to Atlantis, like you actually do have to have proof. if you've been - it sounds like in the beginning of the movie, they already funded an expedition for him and he royally fucked up. Right? He went to the wrong place because he went to Ireland. They said, like, we're not going to do this again. You were wrong before. And he's like "this time, we'll get it right." Okay, well, you need to actually like show not just like, "well, I got a letter wrong. Yeah, the R is a C!"

 

Tyler  51:54

what kind of institution is this? By the way that like, I mean, it was 1914. But, man,

 

Misha  52:00

I don't know. I just

 

Tyler  52:01

funding Atlantean trips.

 

Misha  52:03

He didn't grow at all. And

 

Tyler  52:07

yeah,

 

Misha  52:07

wha- what? Like, it just an kita is just like, "hurray, my white savior. I'm in love with you." Why?

 

Tyler  52:15

Yep, that's a big. Well, we'll get to that later with strong female lead, but so do you think it's as bad as Scrooge in A Christmas Carol? Who-

 

Misha  52:24

  1. Oh, God, no. Oh no no no.

 

Tyler  52:27

Who had more growth arguably than than Milo?

 

Misha  52:30

Ew, oh, God. No, he didn't.

 

Tyler  52:33

I mean, I wrote down from Milo I wrote down three question mark.

 

Misha  52:36

I would say a three as well.

 

Tyler  52:41

Three for protagonist. sidekick, which I guess is all the mercenaries.

 

Misha  52:46

No, they're not. They're not side kicks.

 

Tyler  52:48

I mean, like, I'm just, I mean, if it's not them, then there is no sidekick.

 

Misha  52:52

Yeah, there's no sidekick that I thought about that a lot. And I was like, who would be the sidekick?

 

Tyler  52:56

The mercenaries so you're not giving them any credit for being side kicks because of their turn at the end?

 

Misha  53:01

No, because, no. There's still- no they are still the mercenaries.

 

Tyler  53:06

Then their henchmen.

 

Misha  53:07

Yeah,

 

Tyler  53:08

yeah. All right.

 

Misha  53:09

But I wouldn't even classify them as henchmen. I would just say that, that there are no side kicks. The villain is Rourke and Helga is the henchmen. That's how I would-

 

Tyler  53:20

Helga is a henchman. Yeah, for sure.

 

Misha  53:21

And those are just supporting characters all of the other-

 

Tyler  53:25

jumping really quick back to originality. I don't know if you want to talk about this or not, because it's kind of like deep diving into the development stuff. But there was a controversy that this movie plagiarized some Japanese anime. I don't know if you've read about that.

 

Misha  53:39

Oh,

 

Tyler  53:40

do you think we should? Do you think we should consider that when we score originality?

 

Misha  53:46

No.

 

Tyler  53:46

Okay. One of them that was brought up was like Laputa: Castle in the Sky - Miyazaki's Castle in the Sky. Which is- I see the- I see the similarities, but it's not.

 

Misha  53:55

It's similarities, but it's not like this Atlantis. Yeah.

 

Tyler  53:59

Okay, just wanted to bring that up. So people didn't at us for not talking about it. Alright, so sidekick then one you're saying because there's no sidekick like Alice in Wonderland?

 

Misha  54:09

I don't think there's side- Yeah, I don't think they're side kicks because they also treated him like shit the whole time.

 

Tyler  54:14

Yeah. Villain now I'm gonna stand up for the villain a little bit here. He's not as good as the- like Jafar or or the Queen of Hearts. Or Hopper.

 

Misha  54:29

He was fine. I thought he was okay. I mean,

 

Tyler  54:34

yeah, he's fine. He's He's it's kind of that classic. Kind of like the Treasure Island thing but not as good like he's got a kind of like, mentor ish, friendly, patronizing demeanor towards Milo very Captain Hook-esque. Not Captain Hook. Captain Long John Silver-esque. But then does these inevitable heel turn So he's a little bit I mean, it was you, anybody could see that heel turn coming a mile away that he was going to be the bad guy. But 'cause there's really no one else in the movie that would have been the bad guy. Right?

 

Misha  55:10

Yeah. He said at the beginning of the movie when they were talking about like, educationally enriching, he goes, Yes, this should be enriching for all of us.

 

Tyler  55:19

Yes, yeah. mustache twirling. Yeah, so he was he was a bit forgettable. He's definitely not going to win any like, he's not gonna get into the rogues gallery of Disney Villains for sure. But I didn't think he was

 

Misha  55:29

yeah,

 

Tyler  55:29

he's maybe it's the voice acting I think James Garner is a great actor, right

 

Misha  55:34

I thought he was- Yeah,

 

Tyler  55:35

he's got that charm he oozes charm. And, but it's not that great. I, I mean, I was thinking somewhere around like, three or four to be honest.

 

Misha  55:42

I'm thinking four. he's better than the protagonist.

 

Tyler  55:46

Yeah. And then okay. Yeah, I'm fine with four. And then a henchman, I think Helga is really boring.

 

Misha  55:52

Sucks.

 

Tyler  55:52

Super one note. Yeah,

 

Misha  55:54

yeah,

 

Tyler  55:55

there could have been I mean, they they started with this like femme fatale thing, but then that didn't go in and that's to say that that would have been the answer because that would have just been like objectifying her. But it would have at least been like something for her like some depth to her character like that she was I don't know like

 

Misha  56:12

there was nothing

 

Tyler  56:13

there was nothing Yeah, I'm not saying she should have been like fighting over Milo or anything like that because my I love that part. By the way, we're Kida is like your forehead's big and you've got no muscles, so you must be a scholar. That was pretty good. Kida sick burn Kida

 

Misha  56:28

I did like Kida

 

Tyler  56:29

Yeah, so I don't know one. henchmen.

 

Misha  56:32

Yeah.

 

Tyler  56:32

And from like, if it's just Helga that we're considering henchmen and then all the faceless masked goons with machine guns like it's like a one

 

Misha  56:42

who magically appeared and came back even though there were only like what five of them?

 

Tyler  56:49

Yeah, but then when they leave like whenever all the mercenaries stand with Milo and then the trucks pull out and the go over the bridge as it explodes they're like, it looks like 20 dudes in they're like,

 

Misha  57:00

oh

 

Tyler  57:00

with with big guns. So many

 

Misha  57:02

Yeah, yeah. I don't know.

 

Tyler  57:05

Um strong female lead. Here we are again. There isn't one

 

Misha  57:10

I mean Kida is but she's not the lead she doesn't show up for like an hour into the movie

 

Tyler  57:15

right

 

Misha  57:16

there isn't one

 

Tyler  57:17

but just to remember we did give points in this category

 

Misha  57:22

A Bug's Life

 

Tyler  57:22

for for Princess Atta even though she should have been the protagonist and she wasn't we gave that one higher than a one

 

Misha  57:29

She was technically the leader of her people and the Queen was as well yeah,

 

Tyler  57:35

she's the only thing is she's in that movie a lot more than Kida.

 

Misha  57:40

Um, she helped move things along. She made decisions for her people.

 

Tyler  57:51

But then she is a bit I don't know It's not her fault. It's the writing but she's passive. She falls for this white dude when she really- there's there's no like story reason that she really should except that he can like

 

Misha  58:05

he can read

 

Tyler  58:06

kind of read her language Yeah.

 

Misha  58:09

It would have been- I'd rather her just like use him to stay and teach them how to read and be like I'm not interested in you physically.

 

Tyler  58:17

Yeah,

 

Misha  58:18

that should be the second straight to DVD one

 

Tyler  58:22

and then also I think yeah,

 

Misha  58:24

Where then they kill him and eat him

 

Tyler  58:25

then maybe I haven't seen it there is a straight there is a sequel

 

Misha  58:28

They plump them up with all their like bounty that they have and then they eat him

 

Tyler  58:32

might be- Hey might be that

 

Misha  58:34

He teaches them how to read

 

Tyler  58:35

Hey, there is a sequel. Maybe it happens in that direct to video. Yeah. Let's hope that it gets really dark and gruesome. Now also, I think like they really did her bad. She should have been the person standing up and fighting for her people and, and challenging Rourke but instead they took her out of the movie and made her

 

Misha  58:55

yes,

 

Tyler  58:56

a princess to be rescued by Milo which I thought was bad. Bad choice.

 

Misha  59:01

She's not very strong. She's just like, "I can swim."

 

Tyler  59:04

It's also like that if they Yeah, like she's clearly tough because she

 

Misha  59:09

and then she couldn't even figure out her own fucking technology. All she had to do was keep her hand on the thing to get the car started.

 

Tyler  59:17

Again, not her fault. It's the writing's fault, I would say because, like they could have-

 

Misha  59:20

I mean, she listen- up. She's not real. So it is her fault.

 

Tyler  59:23

I know. But I want to like I want her-. In an alternate timeline. She's like, a very well realized character. But they-

 

Misha  59:32

In a movie that you and I would write, she would be the actual protagonist.

 

Tyler  59:39

Yeah.

 

Misha  59:39

Because Milo would get there. She'd learn how to read and then be like, "fuck you. I'm the boss here. Like this is what's happening. Get out."

 

Tyler  59:48

And I think also because that choice they made to make her blue and get captured. It made the movie more confusing because of like, what are the powers of this entity?

 

Misha  59:58

Yeah, and took her out of it.

 

Tyler  1:00:01

if they just made her kick a bunch of ass because she was clearly capable of it until somebody had a-

 

Misha  1:00:05

Oh, wait. Yeah. Which is so weird because they had all of these people traceuring at the beginning. Why didn't they do that again? Why did they just go, "Yeah, shoot us we've got this magic healing power"?

 

Tyler  1:00:19

I don't know. Well, there's a big difference between a lightning bolt birthmark cut on Milo and a machine gun to the chest. So maybe there's a limit to the healing powers.

 

Misha  1:00:28

And then the king died because Rourke punched him. Can't they like?

 

Tyler  1:00:32

Well, he was probably like 800,000 years old.

 

Tyler  1:00:33

Eight HUNDRED thousand years old.

 

Tyler  1:00:38

Yeah, I don't know how old the king was. He might have just- it might - he might have been just one punch away from death. it could have would have Kida punched him in the face when she got angry at him. He could have died right there.

 

Misha  1:00:46

And that's why he's dying from a brain aneurysm or hemorrhaging.

 

Tyler  1:00:50

Or I don't know.

 

Misha  1:00:52

Why didn't we see any of the Atlanteans fighting? That was bullshit, anyway.

 

Tyler  1:00:57

Yeah, that it is bullshit because they

 

Misha  1:01:00

also why wouldn't the fireflies just show up and burn the- and burn Rourke?

 

Tyler  1:01:06

Good point. I didn't think about that. But they could have totally taken that balloon out quickly. Yeah. They did- Atlantians did get on the flying machines to go help save Kida but then in the confrontation, they didn't show any of them they just showed the Italian dude and and all the other mercenaries. Yeah, wasted opportunities here. But anyway, back to strong female lead because we got to make a decision here. I think it should be low. I think it should be quite low, but not a one. I think-

 

Misha  1:01:38

I was too. I think it should be a one. UGH.

 

Tyler  1:01:40

I don't think it should be one. I think it should be higher than one because I mean

 

Misha  1:01:43

She didn't do anything

 

Tyler  1:01:44

but she's but she did more and was capable of more than say,

 

Misha  1:01:48

Jasmine. All right. A two.

 

Tyler  1:01:52

Okay. Yeah, I mean, I have a lot of problems with the way that they handled her but also like, I mean, we'll get to this right now with bipoc representation-

 

Misha  1:02:00

the way they handled her butt!

 

Tyler  1:02:02

Hm? oh, HAHA.

 

Misha  1:02:04

"I have a lot of problems with the way they handled her butt" and then switched to

 

Tyler  1:02:08

and then I switched to

 

Misha  1:02:10

HONK HONK

 

Tyler  1:02:11

I have a big problem with their

 

Misha  1:02:13

Wait, do you honk butts?

 

Tyler  1:02:14

I have a big problem with her dumper. No, um. I have a big problem with the way they handled her.

 

Tyler  1:02:20

Don't ever call somebody's butt a dumper!

 

Tyler  1:02:25

Have you never heard that before?

 

Misha  1:02:32

What- Oh my God, that's awful. Okay, hold on.

 

Tyler  1:02:41

I don't know she she had she. I don't know she like you said she was like strong. She was kind of a leader. She had more capabilities.

 

Misha  1:02:49

So yeah, she punched that mole guy in the face. So

 

Tyler  1:02:52

and he totally deserved it. Can we talk about that, that how offensive that dude was? Like, if I

 

Misha  1:02:58

awful

 

Tyler  1:02:59

Yeah, anyway, we're gonna we're gonna get there with the thing because a couple other things I was about to nitpick on are related to the next topic, which is bipoc representation. I'll let you handle this. I do have a couple of things. I want to like bring up but go for it. Hit me with it.

 

Misha  1:03:13

Okay, so there are it's not exclusively white people. So there is something, but the people that are portrayed, right, so it's not just do they exi-, it's not just like, do they exist or not? It's how they're portrayed.

 

Tyler  1:03:33

Yeah,

 

Misha  1:03:33

and I did not like this. I mean, Atlantians I'm guessing are brown maybe. But that's fictional. So it doesn't that doesn't count for anything.

 

Tyler  1:03:45

I did kind of like how they went that route. But what

 

Misha  1:03:48

I do too,

 

Tyler  1:03:49

but it is problematic because of this whole again, like imperialism for so simple. Native culture

 

Misha  1:03:55

yeah. And the actress who plays Kida, Kidagakash, which she she said, I think that's what it is. She said and he couldn't this- that part drove me

 

Misha  1:03:55

Yes. I agree.

 

Tyler  1:03:55

problematic. But yeah,

 

Tyler  1:04:11

Oh, Milo when he's like "kiga a bugShema kamma".

 

Misha  1:04:14

But and like you speak the fucking language. I heard it once. I can say it. Like, it made me really mad. And that I want to like, it should lose points. I know. It's a cartoon, and it's for probably dumb white kids. But he should have just said, Can you repeat that a little bit slower, please?

 

Tyler  1:04:34

Yeah.

 

Misha  1:04:35

But the actress who plays Kida is black.

 

Tyler  1:04:38

I think one of her-

 

Misha  1:04:39

Oh, I think she's half black.

 

Tyler  1:04:42

One of her parents is from Cree. She might have been a cop and adopted member of First Nations. I can't remember but there's some

 

Misha  1:04:50

Oh, anyway, mixed race.

 

Tyler  1:04:51

So there's that. The mechanic lady she's Puerto Rican I think so there's some there's more representation than previous movies.

 

Misha  1:04:59

Right.

 

Tyler  1:05:00

My problem was is like, I liked how the doctor is sweet. I liked how he like his character was half African American half Arapaho.

 

Misha  1:05:11

Yeah,

 

Tyler  1:05:12

I liked that. But then the way they did it really made me uneasy because he his talking point was, I got this thing part of us from Howard part of it's from the Arapaho Medicine Man.

 

Misha  1:05:22

Yeah,

 

Tyler  1:05:22

it's like, almost-

 

Misha  1:05:23

yeah, it was like

 

Tyler  1:05:25

a cringy caricature type.

 

Misha  1:05:27

This I agree. I don't think they did any of it that well.

 

Tyler  1:05:33

Yeah. So we're gonna miss and Moliere, the French, the French dirt man was just

 

Misha  1:05:39

awful,

 

Tyler  1:05:40

quite offensive. Yeah, but there's more. Do we? What do you think about the score? Do we give them an attempt for like, hiring some bipoc people and for at least trying and really missing in some cases? I think with with sweet

 

Misha  1:06:00

Oh, so the woman who plays Audrey is Argentinian.

 

Tyler  1:06:06

Argentinian. Okay. Not Puerto Rican,

 

Misha  1:06:07

Or the daughter of Argentinian immigrants. So yeah. According to Wikipedia. I don't know.

 

Tyler  1:06:17

Like, I feel like with Sweet it was like good intentions, but it just was cringy, with Moliere was like, just fell flat on its face.

 

Misha  1:06:26

I think even Audrey just was like, stereotypical caricatures. I hate it,

 

Tyler  1:06:31

there was really like no character development in this movie. Like, at all really

 

Misha  1:06:36

None. That's what I'm saying. All of the characters were so one note, just

 

Tyler  1:06:41

Yeah. But I do completely agree with you on that. But as far as scoring is concerned, I feel like it's gotta be

 

Misha  1:06:48

I would say a three.

 

Tyler  1:06:49

Okay, that that was

 

Misha  1:06:51

What were you gonna say,

 

Tyler  1:06:52

I was gonna say, two?

 

Misha  1:06:54

I was looking at previous scores. And the reason I was gonna say two as well, but then I'm looking at A Goofy Movie. And that got a two. And I think this is like, just slightly more

 

Tyler  1:07:07

Slightly more than A Goofy Movie. Well, it should-

 

Misha  1:07:10

So do we take -

 

Tyler  1:07:11

Oh, it should be high. It should be higher. Because Sorry. Go ahead.

 

Misha  1:07:14

Should we say it should be higher, because there are there are bipoc actors.

 

Tyler  1:07:20

Yeah.

 

Misha  1:07:20

And it the characters there are bipoc characters in the movie, but swing and a miss, take a point back down to two for like how they did it.

 

Tyler  1:07:30

I think three out of 10 is enough of a penalty to them. I think. Yeah. Because that should be I think it should be higher than Goofy because at least they had Yeah. People in the roles so yeah,

 

Misha  1:07:44

yeah. Okay,

 

Tyler  1:07:45

three. Fun Factor. I don't know like parts of it were

 

Misha  1:07:50

I think it was okay.

 

Tyler  1:07:51

Some of the action was cool. But it was so... no character development plus like really wishy washy, sort of black box of a magical system. And it all just didn't quite come together. Also, we didn't talk about this but like, like some of the some some of the parts were funny like I liked some of the humor that was thrown in but then other parts I just thought fell a bit flat. I did like when whenever what's her name? The old lady the Packard I think her name was the the radio operator. Like some of the things she said were- her little like

 

Misha  1:08:27

When she's on the phone with her friend She's like "I'll call you back".

 

Tyler  1:08:30

"whoever stole the the L from the pool sign please return it" like

 

Tyler  1:08:35

I missed that. That's a good joke, I wanna do that.

 

Tyler  1:08:38

And every time. Every time she ever talks she's just like "we're all gonna die" I liked like a little this the grouchy grandma.

 

Misha  1:08:47

Yeah, but she was just so one note too. I wanted to see more from her.

 

Tyler  1:08:50

No you're right. You're right.

 

Misha  1:08:52

I like when Jim Varney goes "what in the cockadoodle?!" I didn't like "cilantro" I thought that part was stupid but I liked the phrase what in the cockadoodle.

 

Tyler  1:09:01

Yeah.

 

Misha  1:09:01

I like what in the cockadoodle.

 

Tyler  1:09:03

That's good. I didn't like how he said like "by the mother of Jefferson Davis." I didn't like that.

 

Misha  1:09:09

I didn't like that character that much. But I -

 

Tyler  1:09:11

Or like these masks remind me of what I saw in the Dakotas can't show them fear. Like,

 

Misha  1:09:12

Oh god, yeah.

 

Tyler  1:09:15

Yeah, I don't know. I don't think it was there were some fun moments. But overall fun factor. I would not give it a high fun factor. Like four I could go to five but I think four sounds better.

 

Tyler  1:09:34

I think I was thinking four

 

Tyler  1:09:35

Yeah. And then I think it should get maybe not a whole bunch of negatives but a couple for like things. There's a lot of things that don't sit right with this movie for me like, problematic sort of. imperialist and subaltern relationships. Yeah, running through the whole movie. Problematic depictions of, of characters

 

Misha  1:09:54

People color. Yeah. And right, and a mole.

 

Tyler  1:09:58

problematic use of a man who thinks he's a mole.

 

Misha  1:10:02

Just negative three? .

 

Tyler  1:10:04

clearly, I mean, I want to I want to like sort of rewind and see what like, when that movie came out like what a child's reaction to Moliere would be like, I feel like

 

Misha  1:10:14

I think kids would like it.

 

Tyler  1:10:15

Kids'll probably like, Yeah, cuz he's like, he just digs around in dirt,

 

Misha  1:10:18

He's just silly. It might not even be the French thing. It's just like they took they take anybody.

 

Tyler  1:10:24

Yeah.

 

Misha  1:10:26

And make him weird.

 

Tyler  1:10:27

Yeah, so he's probably more fun for kids. But yeah, I don't know.

 

Tyler  1:10:32

Didn't work for late 30s. Tyler That's for sure, um, negative negative five?

 

Misha  1:10:41

five?

 

Tyler  1:10:42

Yeah, I was thinking something like that.

 

Misha  1:10:43

Because I was thinking negative three. So let's just meet in the middle.

 

Tyler  1:10:47

Okay, compromise. I like it. Yeah. And effervescence, I would give this one a goose egg. I'll be honest.

 

Tyler  1:10:53

Yeah, me too.

 

Tyler  1:10:53

I didn't get any of that Disney magic. I appreciate that. They were trying to go-

 

Misha  1:10:57

I didn't even know. I didn't even know it was Disney. So, Atlantis, the Lost Empire gets a total of 32 out of 110.

 

Tyler  1:11:10

That is a failing grade no matter what.

 

Misha  1:11:12

Yeah, yes, it is and deserving that failing grade.

 

Tyler  1:11:16

Well, Atlantis, colon, Lost Empire. Look on the bright side. You beat A Christmas Carol.

 

Misha  1:11:23

And the next movie we'll be watching and talking about is Bambi.

 

Tyler  1:11:27

Yeah. I'm excited about this one. I haven't seen it since I was a kid. So so it'll be interesting.

 

Misha  1:11:34

Yeah, me neither. I don't really remember too much. But we'll see.

 

Tyler  1:11:38

Yeah, I remember like little like snippets and like, pieces of it, but not like anything about the story or whatever. Except for some

 

Misha  1:11:45

right

 

Tyler  1:11:46

key moments of the story that are burned into my brain.

 

Misha  1:11:50

gonna weigh heavily on my heart.

 

Tyler  1:11:52

Yeah, so that'll be cool. Yeah, awesome. So thanks, everybody, for listening. We really appreciate it. And

 

Misha  1:12:00

And thanks, special shout out to Tom Rossi. Whoever you are for the amazon giftcard you gave us! that was really nice,

 

Tyler  1:12:08

very considerate. We appreciate it.

 

Misha  1:12:12

so if you want to get in touch with us or send us a gift card you can email us at [email protected] or you can get in touch with us on Twitter and Instagram @muchabupod. Thanks y'all.

 

Tyler  1:12:24

Yeah, thanks. And until next time, bye

 

Misha  1:12:28

Bye.